Yuki Ato Narayan - Pervading the Ocean
Classical, Ambient, Neo-Classical
New York, United States
Overall Impression: Cool synth glitters from the mysterious depths of Yuki Ato Narayan's Pervading the Ocean as the track washes back and forth in crystal clear layers of sustain, incessant and rhythmic as ocean waves. The ambient, pulsating song extends seamlessly in a hypnotic meditation, cohesive in nature, yet constantly turning over notes and phrases for ever shifting revelation and discovery.
Strongest Point(s): The delay effects used in Pervading the Ocean are one of the foremost things defining its ethereal water-like sound, with echoes of each note played extending out in shining sonic ripples, which combined with Narayan's decision to alternate high notes with deeper tones, gives the song an intricate sense of space. Without extensive commotion, this peaceful composition is allowed to truly flow and expand, creating an ambient aquatic dream world for listeners to explore. And don't let it's apparent repetitiveness fool you: even without a traditional melody the music of this track is gorgeously and subtly varied, with crowning highs reached at approximately 5.41 and 6.29 that add exquisite interest to an already fascinating piece
Target Audience Appeal: Pervading the Ocean will mesmerize ambient enthusiasts, and anyone looking for cool, resonant, nuanced art. The song would be ideal for relaxing, hanging out, or meditating at home, and would make a tranquil listen for commutes. Not only would the track be an excellent fit for public and domestic chill rooms, but it would also make a captivating experience for audiences if Yuki Ato Narayan was able and willing to re-create it live.
Artist target suggestions: Brian Eno, Stars of the Lid, Harold Budd, Windy & Carl, The Dead Texan, Cusco, Brian McBride, Robin Guthrie, Jeff Beck, Cluster
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About the Reviewer:
Mary Wildsmith is an FM Radio DJ, and has been involved in both on-air work and radio production for five and a half years, in addition to working the past decade in and out of the live entertainment industry. She has experience with the fickle nature of the music industry, selecting singles to promote or discard for radio play, and engineering stage to audience sound systems. Having worked balancing, troubleshooting, and running audio rigs has enabled her to be both sensitive, and sympathetic, to the finesse and nuance of quality recording. Mary is passionate about promoting new and independent artists, and has spent extensive time in round-table environments discussing music and audio critically, and collaborating with artists to enable them to put the best possible foot forward with their art.